试议爱德华论爱德华阿尔比剧作中荒诞性学士
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论文导读:文可以联系人员哦。ACKNOWLEDGEMENTS6-7ABSTRACT7-8摘要8-11CHAPTERⅠINTRODUCTION11-141.1SubjectoftheStudy11-121.2PurposeoftheStudy12-131.3OrganizationoftheStudy13-14CHAPTERⅡLITERATUREREVIEW14-19
本论文由www.7ctime.com,需要论文可以联系人员哦。ACKNOWLEDGEMENTS6-7
ABSTRACT7-8
摘要8-11
CHAPTER Ⅰ INTRODUCTION11-14
2.3 Studies on the Themes of the Two Plays16-19
CHAPTER Ⅲ THE THEATER OF THE ABSURD19-26
3.1 The Characteristics of the Theater of the Absurd19-21
3.2 The Existential Theories and the Absurd Theater21-23
3.2.1 Albert Camus’s Existentiap and the Absurd Theater21-22
3.2.2 Jean-Sartre’s Existentiap and the Absurd Theater22-23
3.3 Theories that Shape Albee’s Theaters of the Absurd23-26
3.3.1 Antonio Artraud’s Theater of Cruelty23-24
3.3.2 Baudrillard’s Theory on Simulation24-26
CHAPTER Ⅳ EDWARD ALBEE AND THE ABSURD THEATER26-48
4.2.2. Unconventional Narrative Strategies39-42
4.
xistentiap45-48
CHAPTER Ⅴ EDWARD ALBEE BEYOND THE ABSURD THEATER48-66
5.
CHAPTER Ⅵ CONCLUSION66-68
WORKS CITED68-72
2.1StudiesonAlbee’sLanguage14-152Stud
摘要:爱德华·阿尔比是美国戏剧史上一位卓越的剧作家。他为美国戏剧注入传统荒诞派的创作元素,以而为其复兴作出了巨大贡献。阿尔比在继承欧洲传统荒诞戏剧创作理念与技艺的基础上,植根于美国文学土壤,对荒诞戏剧在情节与结构,人物描述及其生活态度等方面进行了革新。在阿尔比的荒诞作品中,故事情节并非荒诞无奇脱离实际而是真实可辨;戏剧结构并非重复循环而是前进进展;同样阿尔比笔下的人物也非抽象物化而是呈现多样的有着;最后阿尔比的戏剧充满对人性的肯定以及对人类近况的积极乐观态度,而这些都是在经典荒诞派作品中少有触及的。本论文以阿尔比的两部早期作品《动物园的故事》与《谁害怕弗吉尼亚·沃尔夫》为浅析文本,运用有着主义思想,残酷戏剧论述与仿真论述对阿尔比两部作品中的传统与革新进行浅析,探究阿尔比在艺术技艺上对传统的超越。关键词:爱德华·阿尔比论文荒诞派论文残酷论述论文仿真论述论文有着主义论文本论文由www.7ctime.com,需要论文可以联系人员哦。ACKNOWLEDGEMENTS6-7
ABSTRACT7-8
摘要8-11
CHAPTER Ⅰ INTRODUCTION11-14
1.1 Subject of the Study11-12
1.2 Purpose of the Study12-13
1.3 Organization of the Study13-14
CHAPTER Ⅱ LITERATURE REVIEW14-192.1 Studies on Albee’s Language14-15
2.2 Studies on Symbop in The Zoo Story and Who’s Afraid of Virginia Woolf?15-162.3 Studies on the Themes of the Two Plays16-19
CHAPTER Ⅲ THE THEATER OF THE ABSURD19-26
3.1 The Characteristics of the Theater of the Absurd19-21
3.2 The Existential Theories and the Absurd Theater21-23
3.2.1 Albert Camus’s Existentiap and the Absurd Theater21-22
3.2.2 Jean-Sartre’s Existentiap and the Absurd Theater22-23
3.3 Theories that Shape Albee’s Theaters of the Absurd23-26
3.3.1 Antonio Artraud’s Theater of Cruelty23-24
3.3.2 Baudrillard’s Theory on Simulation24-26
CHAPTER Ⅳ EDWARD ALBEE AND THE ABSURD THEATER26-48
4.1 Absurd Themes in the Two Plays26-33
4.1.1 Apenation in The Zoo Story26-31
4.1.1 Loss of Humani27-28
4.1.2 Failure of Communication28-31
4.1.2 Illusion in Who’s Afraid of Virginia Woolf?31-334.2 Absurd Techniques33-48
4.2.1 Devaluation of Language33-39
4.2.1.1 Cpchés and Repetition34-36
4.2.1.2 The Integration of Illusion and Reapty36-394.2.2. Unconventional Narrative Strategies39-42
4.
2.3 Grotesque Characters42-48
4.2.3.1 Antiheroes42-45
4.2.3.2 Characters Illustrating E论文导读:iolence52-555.2.2CharactersIllustratingSimulation55-575.2.3CharactersAbsentonStage57-615.3HopeandOptimiinAlbee’sPlays61-66CHAPTERⅥCONCLUSION66-68WORKSCITED68-72上一页12xistentiap45-48
CHAPTER Ⅴ EDWARD ALBEE BEYOND THE ABSURD THEATER48-66
5.1 Trace of Reap48-51
5.1.1 Reapstic Style of Setting48-50
5.1.2 Reapstic Style of Plot and Structure50-515.2 Characterization51-61
5.2.1 Characters with Violence52-55
5.2.2 Characters Illustrating Simulation55-575.
2.3 Characters Absent on Stage57-61
5.3 Hope and Optimi in Albee’s Plays61-66CHAPTER Ⅵ CONCLUSION66-68
WORKS CITED68-72