试述美学翻译美学视角下冰心汉译《吉檀迦利》科技

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摘要：《吉檀迦利》是冰心众多译作之一。本论文试图以翻译美学的视角出发，以翻译美学的探讨主体和客体方面来探讨冰心的译作《吉檀迦利》。在翻译美学的探讨主体方面,重点探讨作者和译者的美学思想，即《吉檀迦利》所体现的泰戈尔的思想及冰心翻译时的思想意识,发现作者泰戈尔和译者冰心，也就是翻译的主体有相似的宗教思想，都对祖国、自然和儿童持有相似的观点。在翻译美学的探讨客体方面，原本和译本虽然用不同的策略构建音、形、意的美学特点，但是两者的美学效果基本相似。在《吉檀迦利》的翻译中，冰心采取不同的技艺再现原作的美学特点。她特别注重选词，并采取适当的修辞如重复、平行及对仗等，使得她的翻译意蕴悠远，清新生动。这些特点加之文中优美的自然景观、轻柔的叙述、具有哲思的表达，使得冰心的翻译风格和泰戈尔原文的风格相似。通过上面陈述的的探讨，作者作出结论：译者冰心和作者泰戈尔在思想上有着一定共鸣，这为《吉檀迦利》翻译的成功奠定了基础。另外，冰心利用汉语的特点和自身的语言天赋，致力于再现文本的美学特点，这也使得翻译能够成功。由此可见，以翻译美学视角出发探讨冰心的《吉檀迦利》让人重视冰心翻译的美学价值，与此同时，冰心的《吉檀迦利》为翻译美学探讨提供了一个很好的实例。关键词：泰戈尔论文冰心论文《吉檀迦利》论文翻译美学论文美学主体论文美学客体论文
本论文由www.7ctime.com,需要论文可以联系人员哦。Abstract5-7
摘要7-10
Chapter 1 Introduction10-19
1.1 Introduction of Bingxin as a translator10-13
1.2 Review of the translation of Gitanjap in China13-14
1.3 Studyon Bingxin s translation of Gitanjap14-17

1.4 Research significance17

1.5 Research methodology17-18

1.6 Layout of the thesis18-19

Chapter 2 Translational Aesthetics and Poetry Translation19-26

2.1 Translational aesthetics19-24

2.1.1 Translational aesthetics in the West19-20
2.1.2 Translational aesthetics in China20-23
2.

1.3 The objects of the thesis23-24

2.2 Poetry translations as aesthetic products24-26
Chapter 3 On the Aesthetic Subjects of Gitanjap26-42
3.1 Study on Tagore as the writer of Gitanjap26-34
3.

1.1 Gitanjap: the songs to God26-28

3.

1.2 Universal love28-29

3.

1.3 Patrioti29-31

3.

1.4 On the beauty of nature31-32

3.

1.5 The innocence of Tagore32-34

3.2 Study on Bingxin as the translator of Gitanjap34-39
3.

2.1 The philosophy of love34-36

3.

2.2 Patrioti36-37

3.

2.3 Speculation on Nature37-38

3.

2.4 The innocence of children38-39

3.3 Consonance of the two39-42
Chapter 4 On the Aesthetic Objects of Gitanjap42-71
4.1 Analysis of the aesthetic properties in the original and tr论文导读：ducingaestheticpropertiesinform60-624.2.2Techniquesusedinproducingaestheticpropertiesinsound62-654.2.3Techniquesusedinproducingaestheticpropertiesinmeaning65-71Chapter5Conclusion71-73Bibpography73-75攻读学位期间主要科研成果75-76Acknowledgements76上一页12
anslated texts43-59
4.

1.1 Aesthetic properties in form43-49

4.

1.2 Aesthetic properties in sound49-52

4.

1.3 Aesthetic properties in meaning52-59

4.2 Techniques used by Bingxin in producing the aesthetic properties59-71
4.2.1 Techniques used in producing aesthetic properties in form60-62
4.2.2 Techniques used in producing aesthetic properties in sound62-65
4.2.3 Techniques used in producing aesthetic properties in meaning65-71
Chapter 5 Conclusion71-73
Bibpography73-75
攻读学位期间主要科研成果75-76
Acknowledgements76