浅论礼貌利奇礼貌论述与《爱玛》中人物话语

论文导读：
摘要：《爱玛》是英国女作家简·奥斯汀唯——部以女主人公的名字作为书名的经典文学作品。很多学者已以不同的视角来探讨和评论这部小说。本论文尝试以语用学的角度,运用里奇的礼貌原则和礼貌大同对策来浅析和探讨小说中主要人物的话语,以帮助读者更好地理解这部经典作品。本探讨期望能帮助读者更加深入地掌握里奇的新旧礼貌原则的本质,更加恰当地将其运用于人们日常交际生活之中以达到为人们提供更多有效的交际对策和技艺,提升个人的交际能力,推动交际的顺利进行,以而使人与人之间的联系得以增进和巩固,最终实现有效而成功的交际。本论文首先综述出一些知名学者提出的一些具有影响的礼貌论述。其中相关的礼貌论述探讨包括：Erving Gof fman提出的面子概念,Lakoff主张的语用能力规范观、BrownLevinson提倡的面子维护观,Fraser提出的会话合同或契约观等。其次作者结合生活中的真实例子详细阐述了Leech的新旧礼貌原则以及相关的论述。这部分是是本论文的论述基础综述部分。最后部分是本论文的主体,主要是运用里奇的礼貌论述来浅析《爱玛》这部小说中的主要人物的对话以帮助读者更加深刻地了解作品中人物的性格特点和他们之间错综复杂的联系,更好地掌握作家简·奥斯汀的语言风格,最重要的是加深和强化人们的礼貌意识并以此作为一种交际行为的规范,使交际在友好和谐的氛围之中进行。同时也为人们在日常生活交际历程中提供一些策略和对策让人们的言语行为在特定的场合下体现得更礼貌更得体,以达到既让人们正确有效地传递了所需的交流信息又不失礼貌之过。关键词：礼貌原则论文礼貌大同对策论文话语论文遵守论文违背论文
本论文由www.7ctime.com,需要论文可以联系人员哦。摘要3-5
Abstract5-10
Introduction10-13
Chapter One An Overview of Studies on Popteness Theories13-23

1.1 The Definition of Popteness13-15

1.2 The View on Popteness15-23

1.2.1 Erving Goffman's Popteness Theory16-17
1.

2.2 Robin Lakoff's Popteness Theory17-18

1.2.3 F'rasers Popteness Theory18-19

1.2.4 Brown and Levinson's View on Popteness19-23
Chapter Two Leech's Popteness Theories23-58
2.1 The Maxims of Popteness Principle23-39
2.

1.1 Tact Maxim27-31

2.

1.2 Generosity Maxim31-32

2.

1.3 Approbation Maxim32-33

2.

1.4 Modesty Maxim33-35

2.

1.5 Agreement Maxim35-36

2.

1.6 Sympathy Maxim36-39

2.2 The Second-order Principles of Popteness39-46

2.1 Irony Principle39-41

2.2 Banter Principle41-43

2.3 Interest Principle43-45

2.4 Pollyanna Principle45-46

2.3 Grand Strategy of Popteness46-58

2.3.1 Placing a High Value on Other's Demand48-50
2.3.2 Placing a High Value on Other's Quapty50-51
2.3.3 Placing a High Value on Self's Obpgation to Other51-53
2.3.4 Placing a High Value on Other's Opinion53-54
2.3.5 Placing a High Value on Ot论文导读：3.1.3MainPlotofEmma65-673.2AnalysisoftheCharacters'UtterancesinEmmafromthePragmaticPerspective67-1153.2.1TheApppcationofSixMaximsofPoptenessPrincipleinEmma68-963.2.1.1TheApppcationofTactMaxim68-793.2.1.2TheApppcationofGenerosityMaxim79-843.2.1.3TheApppcationofA
her's Feepng54-58
Chapter Three Analysis of Characters' Utterances in Emma with Leech's Popteness Theories58-115
3.1 An Overview of the Chosen Text—Emma59-67
3.1.1 Reasons of Choosing Emma as the Research Text59-60
3.

1.2 Main Characters in Emma60-65

3.

1.3 Main Plot of Emma65-67

3.2 Analysis of the Characters' Utterances in Emma from the Pragmatic Perspective67-115
3.2.1 The Apppcation of Six Maxims of Popteness Principle in Emma68-96
3.2.

1.1 The Apppcation of Tact Maxim68-79

3.2.1.2 The Apppcation of Generosity Maxim79-84
3.2.1.3 The Apppcation of Approbation Maxim84-87
3.2.

1.4 The Apppcation of Modesty Maxim87-90

3.2.1.5 The Apppcation of Agreement Maxim90-94
3.2.

1.6 The Apppcation of Sympathy Maxim94-96

3.2.2 The Apppcation of Second-order Principles of Popteness in Emma96-103
3.2.2.1 The Apppcation of Irony Principle97-99
3.2.2.2 The Apppcation of Banter Principle99-100
3.2.2.3. The Apppcation of Interest Principle100-101
3.2.2.4. The Apppcation of Pollyanna Principle101-103
3.2.3 The Apppcation of Leach's Grand Strategy of Popteness in Emma103-115
3.2.3.1 Placing a High Value on Other's Demand104-106
3.2.3.2 Placing a High Value on Other's Quapty106-108
3.2.3.3 Placing a High Value on Self's Obpgation to Other108-110
3.2.3.4 Placing a High Value on Other's Opinion110-111
3.2.3.5 Placing a High Value on Other's Feepng111-115
Conclusion115-117
Bibpography117-120
Acknowledgements120-121